Haunted Mansion Studio
Come hang out in the studio.
This is the living scrapbook: paint on the table, canvases half-finished, booth setups, figure studies, process photos, and the strange little trail that proves the paintings are made by hand.
The captions are loose notes for now. I will keep writing into this page as the work evolves, but for the moment it is an open door: look around, follow the pieces as they become themselves, and send me the parts you want to know more about.
Visual scrapbook
Process galleries, sorted by the stories they belong to.
Fine art does not arrive out of the mist fully dressed. It gets drawn, scraped, repainted, doubted, rescued, and finally trusted.
Creature embrace: finding the laugh inside the monster
Sketches, blocked-in faces, palette mess, and the slow arrival of warmth between two very unlikely companions.
Classical figure work and Swan Song
Figure studies, dancers, nude studies, and quiet studio evidence of the old-school painting tradition underneath the final image.
Booth, walls, and real-world proof
The work leaving the easel and showing up in public: booth walls, gallery corners, and the practical theater of presenting paintings.
Witches, demons, and cafe monsters
A handful of supernatural stories finding their way through drawing, block-in, and that last push where the scene starts breathing.
Mothman and prophetic visitors
The little red-eyed omen arriving in stages: atmosphere first, then the shape, then the stare.
Two Worlds Apart
Underwater romance, creature anatomy, and the strange blue-green pull of a story that cannot quite survive on land.
Sketches, starts, faces, and fragments
Loose studies, searching marks, side quests, and little moments where the next painting is still arguing its way into existence.